- Anderson.Paak Malibu
The mind that was behind the scenes for Dr. Dre’s return-to-form release Compton has released his sophomore album titled Malibu. I didn’t give Compton much attention, but this album has been replayed more than any other album this month. Paak’s voice is so soulful and is paired with some beautiful piano progressions. The guest rappers are solid on each of their appearances (BJ the Chicago Kid stands above veteran rapper Talib Kweli and more celebrated rapper Schoolboy Q). The funky tunes are too fun to stop listening to and owe a lot to Kendrick Lamar’s To Pimp a Butterfly. I hope Anderson.Paak dips his hands into more projects in 2016.
Standout Track: “Come Down”
2. David Bowie Blackstar
David Bowie’s final album is a dark journey into the final stages of life: acceptance, regret, looming doom. Bowie’s voice sounds withered and soulful, but the standout for this record is the instrumental group backing up the legendary artist. It’s very jazzy with elements of hip-hop, industrial music, and the classic ballad. It is an impressive finally for Mr. Bowie: a farewell gift for fans.
Standout Track: “Sue (or in a season of crime)”
3. Lecrae Church Clothes 3
Lecrae’s Church Clothes mixtape series has been his “cross-over” projects where the Christian rapper invites secular artists into featuring verses as if to say “Hey, look, I appreciate worldy rappers, but, sadly, they’re still going to hell.” The third issue of this series, similar to the rapper’s last full-length album Anomaly, moves from religious issues to topics of racism, classism, and gang violence. The moody production is much more cohesive than the first two mixtapes, but there is no standout banger here.
Standout Track: “Gangland” feat. Propaganda
4. Panic! At The Disco Death of a Bachelor
The parallel journeys of Panic! and Fallout Boy have always been weirdly synchronized since both groups debuted their breakout albums in 2005. Death of a Bachelor is Panic’s version of Save Rock & Roll and American Beauty/American Psycho in that this album is a love letter to past musical movements. Brandon Urie swings from an impressive Frank Sinatra impression on “Death of a Bachelor” to a late 2000s dance pop song on “LA Devotee” to the sonic potpourri “Victorious” that feels too much like FOB’s “Uma Thurman.” The points where Panic! distance themselves from their musical counterparts are the more memorable moments of this record, and of their career.
Standout Track: “Death of a Bachelor”
Other Releases Worth Mentioning: Daughter’s Not To Disappear; Savages’ Adore Life; St. Lucia’s Matter; MONEY’s Suicide Songs