Favorite New Music: March 2016

  1. Into it. Over it. Standards

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Evan Weiss’ project as Into It. Over It. sounds like the best versions of emo-rock from the mid-late 2000s. There’s chord progression, and even guitar tone, that one might find on Death Cab For Cutie’s Narrow Stairs. Even Weiss’ vocals have Ben Gibbard gloss all over tracks like “Closing Arguments” and album opener “Open Casket.” The drummer, on the other hand, it let loose on the albums best tracks and the duo create some exciting indie rock tunes.

Standout Track: “Adult Contempt

2. Miike Snow iii

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Britney Spears’ pop monolith “Toxic” is my favorite pop song. It’s my go-to karaoke song. It’s one of two cover songs my band has learned. It just rocks. Turns out, two of the three members of Swedish electro-pop group Miike Snow produced that song over ten years ago! Miike Snow’s previous releases (apply titled i and ii) have both had songs on my best-of-the-year lists and this release proves to be no different. The sonic textures here remind me of Foster The People’s debut record Torches when it comes to syth tones and melodic phrasing. And just like FTP, this trio is groovy as hell on some tracks, and pulls out some great lyrical play on others. Not only to mention, the music video for “Genghis Khan” may be hard to beat as my favorite music video of 2016. We’ll see!

Standout Track: “Genghis Khan

3. The Knocks 55

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The Knocks debut album is like listening to the best party playlist your cool friend painstakingly pieced together, but without their incessant sleeve-tugging quips to distract and annoy you. This LP is all over the place, but its core is steeped in nostalgia for places (“New York City”) modernized takes on antiquated grooves (“Classic”) and coupled with like-minded artists just as eager to live in bygone eras (e.g. Carly Rae Jepsen, X Ambassadors, WALK THE MOON). A majority of these songs dip into that anti-party sound akin to Alessia Care’s work, but the party is the point on every track here.

Standout Track: “Collect My Love” (feat. Alex Newell)

4. Thao & The Get Down Stay Down A Man Alive

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Back in 2013, when I first caught wind of Thao Nguyen’s band, it ended up on my favorite albums of the year list as well as setting the benchmark for great band names. Three years later, Thao releases an album that is like a tUnE-yArDs art-rock project. As it turns out, Merrill Garbus herself produced this latest LP and it is cut from the same sonic cloth: distorted mic effects, choral vocal backup melodies, heavy drums, and endlessly interesting lyrics. A huge win here for Thao!

Standout Track: “Departure

5. M. Ward More Rain

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M. Ward has been a busy man as one half of She & Hims many releases, but he’s back for another solo record, and it is just as classic and moody as one might expect. The hollow-body guitar sounds beautiful soaking M.Ward’s usual reverb and delay effects. More of what we love here on More Rain.

Standout Track: “I’m Going Higher

More Solid Releases: Primal Scream Chaosmosis; Baauer Aa; Bent Shapes Wolves of Want; Policia United Crushers; Wussy S/T; Cub Sport This Is Our Vice;

 

 

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New Music 2016: January

  1. Anderson.Paak Malibu

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The mind that was behind the scenes for Dr. Dre’s return-to-form release Compton has released his sophomore album titled Malibu. I didn’t give Compton much attention, but this album has been replayed more than any other album this month. Paak’s voice is so soulful and is paired with some beautiful piano progressions. The guest rappers are solid on each of their appearances (BJ the Chicago Kid stands above veteran rapper Talib Kweli and more celebrated rapper Schoolboy Q). The funky tunes are too fun to stop listening to and owe a lot to Kendrick Lamar’s To Pimp a Butterfly. I hope Anderson.Paak dips his hands into more projects in 2016.

Standout Track: “Come Down

2. David Bowie Blackstar

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David Bowie’s final album is a dark journey into the final stages of life: acceptance, regret, looming doom. Bowie’s voice sounds withered and soulful, but the standout for this record is the instrumental group backing up the legendary artist. It’s very jazzy with elements of hip-hop, industrial music, and the classic ballad. It is an impressive finally for Mr. Bowie: a farewell gift for fans.

Standout Track: “Sue (or in a season of crime)

3. Lecrae Church Clothes 3

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Lecrae’s Church Clothes mixtape series has been his “cross-over” projects where the Christian rapper invites secular artists into featuring verses as if to say “Hey, look, I appreciate worldy rappers, but, sadly, they’re still going to hell.” The third issue of this series, similar to the rapper’s last full-length album Anomaly, moves from religious issues to topics of racism, classism, and gang violence. The moody production is much more cohesive than the first two mixtapes, but there is no standout banger here.

Standout Track: “Gangland” feat. Propaganda

4. Panic! At The Disco Death of a Bachelor 

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The parallel journeys of Panic! and Fallout Boy have always been weirdly synchronized since both groups debuted their breakout albums in 2005. Death of a Bachelor is Panic’s version of Save Rock & Roll and American Beauty/American Psycho in that this album is a love letter to past musical movements. Brandon Urie swings from an impressive Frank Sinatra impression on “Death of a Bachelor” to a late 2000s dance pop song on “LA Devotee” to the sonic potpourri “Victorious” that feels too much like FOB’s “Uma Thurman.” The points where Panic! distance themselves from their musical counterparts are the more memorable moments of this record, and of their career.

Standout Track: “Death of a Bachelor

Other Releases Worth Mentioning: Daughter’s Not To Disappear; Savages’ Adore Life; St. Lucia’s Matter; MONEY’s Suicide Songs