2016: Favorite Tracks and Albums

Favorite Tracks (Outside of my Favorite Albums)

15. Joyce Manor “Fake I.D.” – Most awkward exchange at a party.

14. Danny Brown “Really Doe” ft. Kendrick Lamar, Ab-Sou, Earl Sweatshirt – Danny Brown’s experimental album had this more traditional, bangin’ posse cut right in the middle.

13. Brvndon P “Coolin” ft. Beleaf – 2o16’s best pitch corrected hype man lines.

12. ANOHNI “4 Degrees” – Coolest vocal tones

11. Ariana Grande “Let Me Love You” ft. Lil Wayne – Sexiest song of the year

10. Mutual Benefit “Not For Nothing” – From the saddest album of the year.

9. Gallant “Bone + Tissue” – best use of falsetto.

8. Joey Purp “Girls @” ft. Chance the Rapper – best instrumental

7. Kanye West “Ultralight Beam” ft. Chance the Rapper – best Chance verse.

6. Run the Jewels “Legend Has It” – the most RTJiest song to date.

5. Baauer “Day Ones” ft. Novelist, Leikeli47 – best song to crank to 11.

4. Lizzo “Good As Hell” – best feel good song

3. Into It. Over It. “Adult Contempt” – best percussion part

2. Jack Garrett “Worry” – best PBR&B tune

  1. Dawes “When The Tequila Runs Out” – best lyricist of 2016.

Favorite Albums of 2016

10. Jeff Rosenstock WORRY.

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While this album is nowhere as nuanced as Rosenstock’s previous record We Coo?, WORRY. has all the trappings of a great pop punk record – 1/8 note bar chords blasted through tube amps, a substantial helping of crowd “woahs”, and the blistering shouts from the front man himself.

Standout Tracks: “Festival Song” “Wave Goodnight to Me” “Blast Damage Days”

9. Swet Shop Boys Cashmere

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Heems’ project always capture my attention; whether its the Das Racist mixtapes or his solo projects, his use of humor and ad-lib skills make for an enjoyable listen. Here, the content becomes more politically-themed as he tag teams with Riz Ahmed, a Londoner of middle eastern heritage. The instrumentals sample sounds and artists of southern Asia (similar to Heem’s debut album Eat Pray Thug) thanks to the brilliant work of Redhino. Unlike the mixtapes, this project has no slack or throwaway moments; it’s all solid and important rhetoric communicated through club rap tracks.

Standout Tracks: “T5” “Aaja” “Zayn Malik

8. Modern Baseball Holy Ghost

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The emo rock world has been catching a new wave of energy: 2016 saw great music from Into It. Over It., Joyce Manor, Useless ID, Real Friends, and TTNG. The project that floats to the top of that powerful list is Modern Baseball’s newest LP Holy Ghost. It’s simplicity works in its favor as the heart-on-sleeve lyrics take a front seat.

Standout Tracks: “Note to Self” “Wedding Singer” “What If..”

7. Regina Spektor Remember Us To Life

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Regina Specktor’s newest album is a very theatrical project: each song is an independent vignette telling specific stories, some with fleshed out characters. Many musical moments are musical theater tropes, or that of a film score, and inform the lyrics and mood much more than the poppier piano projects Specktor has released previously in her career.

Standout Tracks: “Grand Hotel“”Small Bill$” “The Light

6. Weezer Weezer [The White Album]

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It’s hard not to adapt the opinions of others in our formative years. I did not know, for example, that Weezer had bad albums. I bought what turned out to be, critically speaking, Weezer’s least popular records: The Red Album and Raditude. It wasn’t long after diving into diverse musical realms through college that these albums began to wain in quality, and some if it upon re-listening sounded horrendous.

2014’s comback-ish Trouble Will Find Us In The End turned out to be an album-long drum roll to the real surprise: 2016’s The White Album. The melodies are fun and within Weezer’s wheelhouse. The guitars rule, as they did in 2o14, and the subjects while not as eclectic are explored in odd ways…ways familiar to early Rivers Cuomo lyric sheets.

California Kids” “Jacked Up” “King of the World

5. Anderson.Paak Malibu

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Raspy-throated crooner Anderson.Paak went from behind-the-scenes producer for Dr. Dre’s Compton to front man extrordonare. Now grammy nominated, Paak unleased his varied talents as rapper, James Brown impersonator, band leader, drummer, and all around classy chap in this funky record. It’s meaty and yet airy, with thick product that somehow keeps the songs light. It’s a musical magic trick to behold.

Come Down” “The Dreamer” “Parking Lot

4. Thao and the Get Down Stay Down – A Man Alive

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2013’s We Are Common also made it onto my AOTY list, and Thao has only upped her game since then. With production help from the brain behind tUnE-yArDs, this LP unleashes a torrent of quirky rock tunes circling the singer’s personal search of her birth father. It’s deep, thought-provoking, and catchy.

Standout Tracks: “Departure” “Astonished Man” “Nobody Dies

3. PUP The Dream is Over

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My favorite album of 2015 was FIDLAR’s Too, and this album takes the same musical influences and creates an equally raucous track list. The earnestness of the lyrics and the group shouts create an effective woe-is-me pathos, but the song structures are exceptional: multiple bridges, key changes, an incredible drummer, and time signature experimentation make this album an excellent record for all kinds of music lovers.

DVP” “Sleep in the Heat” “My Life Is Over And I Couldn’t Be Happier” “Familiar Patterns”

2.clipping –  Splendor & Misery / Wriggle

The experimental Rap trio released two excellent, yet very different, projects in 2016. The first was an EP called Wriggle that delivered more of what we knew made clipping great: creative instrumental beats (one made entirely of gun noises), motor-mouth bars from Daveed Diggs, and memorable guest verses. It’s catchy, raunchy, and a powerful punch for an EP.

Fast forward a few months, and the group releases Splendor & Misery. A 40-minute rap-opera of a runaway space slave trapped on a cargo ship. Yup. Diggs runs wild with the imagery and the narrative while the instrumental production serves more like the sound effects of a radio play than that of a rap album. Both projects are excellent, and both deserve to be recognized.

Standout Tracks: “Shooter” “All Black” “Air ‘Em Out“”Back Up

1.Car Seat Headrest –  Teens of Denial

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Will Toledo has a runaway hit of an album: a debut album in the sense that it is the first with a nation-wide market release, but is technically his 12th album, most of which were dropped on bandcamp. The garage rock band is pure pathos, with Toledo yelping his emotions, ripping them off his sleeve and throwing them directly into your face. The guitars are rough and agitated, but hold together for melodic hooks, building most of the wall of sound. i had the privilege of seeing them live, and you know a band resonates with a generation when the crowd, during “Drunk Driver/Killer Whales” sung so loud that it through off the band, missing a cue to move into the final chorus. The record makes me equally jealous and understood; Toledo makes a fine mouthpiece for a lot of sullen youth.

Standout Tracks: “Drunk Driver/Killer Whales” “1937 State Park” “Fill in the Blank” “Destroyed by Hippie Powers”

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Favorite New Music: October

Cakes Da Killa Hedonism

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The front end of Hedonism has rapper Cakes Da Killa spitting over thumping techno beats, which propels the album with high energy. “New Phone (Who Dis)” moves the album into a poppier field with a beat complete with syncopated rim shots and a synth melody reminiscent of late 2000s pop rap. The down tempo, moodier songs “Tru Love” and “Revelations (Outro) are a nice reprieve from the heavy bass hits, and balances out the album from the back end of the track list.

Standout Track: “New Phone (Who Dis)

Jeff Rosenstock Worry.

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Life-long outcast Jeff Rosenstock comes through with another solid emo rock album that nearly rivals the near-perfect We Cool? of a few years back. A short documentary was produced to back the album, and shows Jeff’s strong vision for this higher budget project.

Standout Track: “Wave Goodnight to Me

D.D Dumbo Utopia Defeated

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Standout Track: “Satan

New Wave can seem, well, old. Utopia Defeated is soaked in sonic nostalgia, but the dance rock beats and the very Sting-esque vocals create a fun album for dancing. This is a strong debut album for the group as they are added to the 4AD roster.

Lewis Del Mar S/T

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This acoustic dance duo have found their footing in popular culture with their single “Loud(y)” and much of this album features similar musical tropes: simple, distorted percussion, single-note lead guitar melodies, and vocals akin to that of Imagine Dragons’ cleaner tunes. The more cut-and-paste the instruments, the more energy the group exudes in their work.

Standout Track: “Malt Liquor

Joyce Manor Cody

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There is something special when a band gets away with selling the lines: “What do you think about Kanye West? / I think that he’s the great, I think he’s the best / Yeah, I think he’s better than John Steinbeck / I think he’s better than Phil Hartman.” Is it stupid? Yes. Is it brilliant? I can’t tell.

Standout Track: “Fake I.D.

More Solid Albums: Phantogram Three ; Acid Arab Musique de France ; The Game 1992 ; Bell X1 Arms ; NxWorries Yes Lawd! ; The Radio Dept.Running Out of Love ; C Duncan The Midnight Sun

 

 

Favorite New Music: May 2016

Car Seat Headrest Teens of Denial

car seat headrest

From the opening guitar licks in “Fill in the Blank” to the Dido reference in the middle of “The Ballad of Costa Concordia” Car Seat Headrest shows their songwriting prowess on this Matador Records debut. Will Toledo pens some killer drepressing lyrics and pairs the sentiments with indie guitar tunes that sit somewhere between surf rock, lo-fi, and punk. The songs are all very catchy, too, and melodies will stick around in your head, especially the refrain from “Drunk Drivers/Killer Whales”.

Standout Track: “Fill in the Blank

Mutual Benefit Skip a Sinking Stone

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Sometimes you need an album to just sit on the floor and soak in. For a long time, that album for me has been Burst Apart by The Antlers, but now it might have some company. These folk tunes from Jordan Lee deliver the mellow vibes through the lightly harmonized vocals and the thick, legato string arrangements.

Standout Track: “Not For Nothing

Nothing Tired of Tomorrow

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17 year old me would have been disappointed in his older self’s musical tastes. This album would have been written off as “too soft” in a world where nu-metal ruled and bpms under 140 were discarded. Nothing’s washed out opening tracks cresendo two minutes into “Vertigo Flowers” where the half time count builds into an incredible wall of sound. The album shows its 90’s sensibilities and holds a lot of similarities to the drugged out, dreamy songs of my early childhood. The nu-metal turns on at “A.C.D.” with harmonies one could find on a track by The Urge.

Standout Track: “A.C.D. (Abcessive Compulsive Disorder)

Death Grips Bottomless Pit

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And then there’s Death Grips.

Standout Track: “Three Bedrooms in a Good Neighborhood

ANOHNI Hopelessness

ANHONI

Have you ever been engaged with entertainment and cannot come to the conclusion whether you are either captivated or baffled? So continues my relationship with ANOHNI’s vocals on Hopelessness. The sexual ambiguity makes the music more difficult to categorize, which makes the album more interesting to explore. Plus, “4 Degrees” is a great pop song with one catchy hook.

Standout Track: “4 Degrees

Other Solid Releases: James Blake The Colour in Anything; Fruit Bats Absolute Loser; Homebody Sandman Kindness for Weakness; Yoni & Geti Testarossa; Chance the Rapper Coloring Book; Astronautalis Cut The Body Loose

 

 

Favorite New Music: March 2016

  1. Into it. Over it. Standards

IIOI-Standards-Cover

Evan Weiss’ project as Into It. Over It. sounds like the best versions of emo-rock from the mid-late 2000s. There’s chord progression, and even guitar tone, that one might find on Death Cab For Cutie’s Narrow Stairs. Even Weiss’ vocals have Ben Gibbard gloss all over tracks like “Closing Arguments” and album opener “Open Casket.” The drummer, on the other hand, it let loose on the albums best tracks and the duo create some exciting indie rock tunes.

Standout Track: “Adult Contempt

2. Miike Snow iii

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Britney Spears’ pop monolith “Toxic” is my favorite pop song. It’s my go-to karaoke song. It’s one of two cover songs my band has learned. It just rocks. Turns out, two of the three members of Swedish electro-pop group Miike Snow produced that song over ten years ago! Miike Snow’s previous releases (apply titled i and ii) have both had songs on my best-of-the-year lists and this release proves to be no different. The sonic textures here remind me of Foster The People’s debut record Torches when it comes to syth tones and melodic phrasing. And just like FTP, this trio is groovy as hell on some tracks, and pulls out some great lyrical play on others. Not only to mention, the music video for “Genghis Khan” may be hard to beat as my favorite music video of 2016. We’ll see!

Standout Track: “Genghis Khan

3. The Knocks 55

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The Knocks debut album is like listening to the best party playlist your cool friend painstakingly pieced together, but without their incessant sleeve-tugging quips to distract and annoy you. This LP is all over the place, but its core is steeped in nostalgia for places (“New York City”) modernized takes on antiquated grooves (“Classic”) and coupled with like-minded artists just as eager to live in bygone eras (e.g. Carly Rae Jepsen, X Ambassadors, WALK THE MOON). A majority of these songs dip into that anti-party sound akin to Alessia Care’s work, but the party is the point on every track here.

Standout Track: “Collect My Love” (feat. Alex Newell)

4. Thao & The Get Down Stay Down A Man Alive

Thao-Get-Down-Stay-Down--A-Man-Alive-album-cover

Back in 2013, when I first caught wind of Thao Nguyen’s band, it ended up on my favorite albums of the year list as well as setting the benchmark for great band names. Three years later, Thao releases an album that is like a tUnE-yArDs art-rock project. As it turns out, Merrill Garbus herself produced this latest LP and it is cut from the same sonic cloth: distorted mic effects, choral vocal backup melodies, heavy drums, and endlessly interesting lyrics. A huge win here for Thao!

Standout Track: “Departure

5. M. Ward More Rain

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M. Ward has been a busy man as one half of She & Hims many releases, but he’s back for another solo record, and it is just as classic and moody as one might expect. The hollow-body guitar sounds beautiful soaking M.Ward’s usual reverb and delay effects. More of what we love here on More Rain.

Standout Track: “I’m Going Higher

More Solid Releases: Primal Scream Chaosmosis; Baauer Aa; Bent Shapes Wolves of Want; Policia United Crushers; Wussy S/T; Cub Sport This Is Our Vice;