New Music: April 2017

  1. Sylvan Esso What Now

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The pop duo Sylvan Esso has produced the best tunes you’d likely hear at a Starbucks over the last few years, and the group’s new project incorporates more samples and drums, but keeps the songs tight and catchy.

Standout Track: “Radio”

2. Bishop Briggs S/T

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Airy folk vocals placed atop simple electronic backing tracks. This project is very much like Marian Hill, or even some Sylvan Esso work, but the lead vocals  here are much more powerful and soulful.

Standout Track: “Wild Horses”

3. Kendrick Lamar DAMN.

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This is the worst Kendrick Lamar album, sure, but the worst of the best, in this case, is still worthy of some praise. The through-line on this project comes much less intelligible than Lamar’s last two full-length projects, both in its narrative and its sonic palate. Tracks like “DNA” and “HUMBLE” are unavoidable bangers, the best of the year, and the lengthy and contemplative “FEAR” is something more akin to what I loved in Lamar’s previous work…but then there’s “GOD” and “LOVE” : terrible tracks for any artist.

Standout Track: “DNA”

4. Father John Misty Pure Comedy

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A continuation of the approach to I Love You, Honeybear, Father John Misty creates lush songs tackling the aches and pains of living as a critic of/participant in western pop culture. Some of the instrumental choices have changed, but the melodies here could’ve winded up on either album. The humor is thick and black and paired with 70’s pop…it’s a formula that’ll work until Father John Misty himself becomes the next Taylor Swift.

Standout Track: “Total Entertainment Forever”

Other Solid Releases: The New Pornographers, Whiteout Conditions ; Future Islands, The Far Field ; Feist, Pleasure

 

 

Favorite New Music: December

Grace VanderWaal – Perfectly Imperfect EP

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I don’t think I’ve ever watched a whole episode of America’s Got Talent since back when that singing ventriloquist guy won. I have, however, seen plenty of clips on YouTube, and every performance Grace VanderWaal gave was well worth the 30 second ads. Her frail voice belts like a mini Sia, and the pop tunes on this EP establish VanderWaal as a purely musical experience rather than a TV gimmick.

Standout Track: “I Don’t Know My Name

Injury Reserve – Floss

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You you remember crunk? If not, it’s where Lil John came from…and continues to exist. The genre of rap faded as quickly as it rose: something about shouting all of your words takes a toll on the masses. The Arizona group Injury Reserve use those motifs and fit them into a 2016 hip hop context to great success. It’s chaotic, riot-inducing, and an incredibly fun listen.

Standout Track: “All This Money

The Trouble With Templeton – Someday, Buddy

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Winter is a time for Christmas music…that is, if you can stand the stuff. For others like myself, winter is a time for dreary music. Music that is good for lying in bed and crying if you’d like. The down tempo tunes of this newest LP might just do the trick. The guitar picking is a like Bon Iver, but the overall sound is dream pop if the dreams were only of longing and loss.

Standout Track: “1832

Ab-Soul – Do What Thou Wilt.

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Tog Dog Entertainment’s 2016 releases have been hit and miss (Blankface LP, The Sun’s Tirade, Introverted Intuition) but they certainly saved the best for last! Ab-Soul’s creativity lies within his lyrical content, and again Ab-Soul uses religious themes and imagery to communicate this thoughts on life, love, sex, and drugs. The tracks are diverse and intriguing, and a great step forward from his previous full-length album Strange Days.

Standout Track: “Huey Knew THEN

 

Ricky Eat Acid – Talk To You Soon

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The chillwave project of Sam Ray takes the tropes of the genre and counters them with disparate parts on Talk To You Soon. Scattered throughout the album are classical piano melodies, trap hi hats, industrial bangs and thonks, 8-bit synths, and a hardcore vocal performance. Because of its diversity, the album doesn’t necessarily read as a cohesive project, but it turns out diversity is a benefit for keeping the listeners’ attention across the 16 tracks of this mostly-non-lyrical album.

Standout Track: “Nice To See You

Other Solid Releases: Soviet Soviet Endless; J. Cole For Your Eyez Only ; Kid Cudi Passion, Pain, and Demon Slayin’

 

Favorite New Music: October

Cakes Da Killa Hedonism

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The front end of Hedonism has rapper Cakes Da Killa spitting over thumping techno beats, which propels the album with high energy. “New Phone (Who Dis)” moves the album into a poppier field with a beat complete with syncopated rim shots and a synth melody reminiscent of late 2000s pop rap. The down tempo, moodier songs “Tru Love” and “Revelations (Outro) are a nice reprieve from the heavy bass hits, and balances out the album from the back end of the track list.

Standout Track: “New Phone (Who Dis)

Jeff Rosenstock Worry.

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Life-long outcast Jeff Rosenstock comes through with another solid emo rock album that nearly rivals the near-perfect We Cool? of a few years back. A short documentary was produced to back the album, and shows Jeff’s strong vision for this higher budget project.

Standout Track: “Wave Goodnight to Me

D.D Dumbo Utopia Defeated

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Standout Track: “Satan

New Wave can seem, well, old. Utopia Defeated is soaked in sonic nostalgia, but the dance rock beats and the very Sting-esque vocals create a fun album for dancing. This is a strong debut album for the group as they are added to the 4AD roster.

Lewis Del Mar S/T

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This acoustic dance duo have found their footing in popular culture with their single “Loud(y)” and much of this album features similar musical tropes: simple, distorted percussion, single-note lead guitar melodies, and vocals akin to that of Imagine Dragons’ cleaner tunes. The more cut-and-paste the instruments, the more energy the group exudes in their work.

Standout Track: “Malt Liquor

Joyce Manor Cody

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There is something special when a band gets away with selling the lines: “What do you think about Kanye West? / I think that he’s the great, I think he’s the best / Yeah, I think he’s better than John Steinbeck / I think he’s better than Phil Hartman.” Is it stupid? Yes. Is it brilliant? I can’t tell.

Standout Track: “Fake I.D.

More Solid Albums: Phantogram Three ; Acid Arab Musique de France ; The Game 1992 ; Bell X1 Arms ; NxWorries Yes Lawd! ; The Radio Dept.Running Out of Love ; C Duncan The Midnight Sun

 

 

Favorite New Music: March 2016

  1. Into it. Over it. Standards

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Evan Weiss’ project as Into It. Over It. sounds like the best versions of emo-rock from the mid-late 2000s. There’s chord progression, and even guitar tone, that one might find on Death Cab For Cutie’s Narrow Stairs. Even Weiss’ vocals have Ben Gibbard gloss all over tracks like “Closing Arguments” and album opener “Open Casket.” The drummer, on the other hand, it let loose on the albums best tracks and the duo create some exciting indie rock tunes.

Standout Track: “Adult Contempt

2. Miike Snow iii

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Britney Spears’ pop monolith “Toxic” is my favorite pop song. It’s my go-to karaoke song. It’s one of two cover songs my band has learned. It just rocks. Turns out, two of the three members of Swedish electro-pop group Miike Snow produced that song over ten years ago! Miike Snow’s previous releases (apply titled i and ii) have both had songs on my best-of-the-year lists and this release proves to be no different. The sonic textures here remind me of Foster The People’s debut record Torches when it comes to syth tones and melodic phrasing. And just like FTP, this trio is groovy as hell on some tracks, and pulls out some great lyrical play on others. Not only to mention, the music video for “Genghis Khan” may be hard to beat as my favorite music video of 2016. We’ll see!

Standout Track: “Genghis Khan

3. The Knocks 55

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The Knocks debut album is like listening to the best party playlist your cool friend painstakingly pieced together, but without their incessant sleeve-tugging quips to distract and annoy you. This LP is all over the place, but its core is steeped in nostalgia for places (“New York City”) modernized takes on antiquated grooves (“Classic”) and coupled with like-minded artists just as eager to live in bygone eras (e.g. Carly Rae Jepsen, X Ambassadors, WALK THE MOON). A majority of these songs dip into that anti-party sound akin to Alessia Care’s work, but the party is the point on every track here.

Standout Track: “Collect My Love” (feat. Alex Newell)

4. Thao & The Get Down Stay Down A Man Alive

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Back in 2013, when I first caught wind of Thao Nguyen’s band, it ended up on my favorite albums of the year list as well as setting the benchmark for great band names. Three years later, Thao releases an album that is like a tUnE-yArDs art-rock project. As it turns out, Merrill Garbus herself produced this latest LP and it is cut from the same sonic cloth: distorted mic effects, choral vocal backup melodies, heavy drums, and endlessly interesting lyrics. A huge win here for Thao!

Standout Track: “Departure

5. M. Ward More Rain

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M. Ward has been a busy man as one half of She & Hims many releases, but he’s back for another solo record, and it is just as classic and moody as one might expect. The hollow-body guitar sounds beautiful soaking M.Ward’s usual reverb and delay effects. More of what we love here on More Rain.

Standout Track: “I’m Going Higher

More Solid Releases: Primal Scream Chaosmosis; Baauer Aa; Bent Shapes Wolves of Want; Policia United Crushers; Wussy S/T; Cub Sport This Is Our Vice;