Favorite Tracks (Outside of my Favorite Albums)
15. Joyce Manor “Fake I.D.” – Most awkward exchange at a party.
14. Danny Brown “Really Doe” ft. Kendrick Lamar, Ab-Sou, Earl Sweatshirt – Danny Brown’s experimental album had this more traditional, bangin’ posse cut right in the middle.
13. Brvndon P “Coolin” ft. Beleaf – 2o16’s best pitch corrected hype man lines.
12. ANOHNI “4 Degrees” – Coolest vocal tones
11. Ariana Grande “Let Me Love You” ft. Lil Wayne – Sexiest song of the year
10. Mutual Benefit “Not For Nothing” – From the saddest album of the year.
9. Gallant “Bone + Tissue” – best use of falsetto.
8. Joey Purp “Girls @” ft. Chance the Rapper – best instrumental
7. Kanye West “Ultralight Beam” ft. Chance the Rapper – best Chance verse.
6. Run the Jewels “Legend Has It” – the most RTJiest song to date.
5. Baauer “Day Ones” ft. Novelist, Leikeli47 – best song to crank to 11.
4. Lizzo “Good As Hell” – best feel good song
3. Into It. Over It. “Adult Contempt” – best percussion part
2. Jack Garrett “Worry” – best PBR&B tune
- Dawes “When The Tequila Runs Out” – best lyricist of 2016.
Favorite Albums of 2016
10. Jeff Rosenstock WORRY.
While this album is nowhere as nuanced as Rosenstock’s previous record We Coo?, WORRY. has all the trappings of a great pop punk record – 1/8 note bar chords blasted through tube amps, a substantial helping of crowd “woahs”, and the blistering shouts from the front man himself.
9. Swet Shop Boys Cashmere
Heems’ project always capture my attention; whether its the Das Racist mixtapes or his solo projects, his use of humor and ad-lib skills make for an enjoyable listen. Here, the content becomes more politically-themed as he tag teams with Riz Ahmed, a Londoner of middle eastern heritage. The instrumentals sample sounds and artists of southern Asia (similar to Heem’s debut album Eat Pray Thug) thanks to the brilliant work of Redhino. Unlike the mixtapes, this project has no slack or throwaway moments; it’s all solid and important rhetoric communicated through club rap tracks.
8. Modern Baseball Holy Ghost
The emo rock world has been catching a new wave of energy: 2016 saw great music from Into It. Over It., Joyce Manor, Useless ID, Real Friends, and TTNG. The project that floats to the top of that powerful list is Modern Baseball’s newest LP Holy Ghost. It’s simplicity works in its favor as the heart-on-sleeve lyrics take a front seat.
7. Regina Spektor Remember Us To Life
Regina Specktor’s newest album is a very theatrical project: each song is an independent vignette telling specific stories, some with fleshed out characters. Many musical moments are musical theater tropes, or that of a film score, and inform the lyrics and mood much more than the poppier piano projects Specktor has released previously in her career.
6. Weezer Weezer [The White Album]
It’s hard not to adapt the opinions of others in our formative years. I did not know, for example, that Weezer had bad albums. I bought what turned out to be, critically speaking, Weezer’s least popular records: The Red Album and Raditude. It wasn’t long after diving into diverse musical realms through college that these albums began to wain in quality, and some if it upon re-listening sounded horrendous.
2014’s comback-ish Trouble Will Find Us In The End turned out to be an album-long drum roll to the real surprise: 2016’s The White Album. The melodies are fun and within Weezer’s wheelhouse. The guitars rule, as they did in 2o14, and the subjects while not as eclectic are explored in odd ways…ways familiar to early Rivers Cuomo lyric sheets.
5. Anderson.Paak Malibu
Raspy-throated crooner Anderson.Paak went from behind-the-scenes producer for Dr. Dre’s Compton to front man extrordonare. Now grammy nominated, Paak unleased his varied talents as rapper, James Brown impersonator, band leader, drummer, and all around classy chap in this funky record. It’s meaty and yet airy, with thick product that somehow keeps the songs light. It’s a musical magic trick to behold.
4. Thao and the Get Down Stay Down – A Man Alive
2013’s We Are Common also made it onto my AOTY list, and Thao has only upped her game since then. With production help from the brain behind tUnE-yArDs, this LP unleashes a torrent of quirky rock tunes circling the singer’s personal search of her birth father. It’s deep, thought-provoking, and catchy.
3. PUP The Dream is Over
My favorite album of 2015 was FIDLAR’s Too, and this album takes the same musical influences and creates an equally raucous track list. The earnestness of the lyrics and the group shouts create an effective woe-is-me pathos, but the song structures are exceptional: multiple bridges, key changes, an incredible drummer, and time signature experimentation make this album an excellent record for all kinds of music lovers.
2.clipping – Splendor & Misery / Wriggle
The experimental Rap trio released two excellent, yet very different, projects in 2016. The first was an EP called Wriggle that delivered more of what we knew made clipping great: creative instrumental beats (one made entirely of gun noises), motor-mouth bars from Daveed Diggs, and memorable guest verses. It’s catchy, raunchy, and a powerful punch for an EP.
Fast forward a few months, and the group releases Splendor & Misery. A 40-minute rap-opera of a runaway space slave trapped on a cargo ship. Yup. Diggs runs wild with the imagery and the narrative while the instrumental production serves more like the sound effects of a radio play than that of a rap album. Both projects are excellent, and both deserve to be recognized.
1.Car Seat Headrest – Teens of Denial
Will Toledo has a runaway hit of an album: a debut album in the sense that it is the first with a nation-wide market release, but is technically his 12th album, most of which were dropped on bandcamp. The garage rock band is pure pathos, with Toledo yelping his emotions, ripping them off his sleeve and throwing them directly into your face. The guitars are rough and agitated, but hold together for melodic hooks, building most of the wall of sound. i had the privilege of seeing them live, and you know a band resonates with a generation when the crowd, during “Drunk Driver/Killer Whales” sung so loud that it through off the band, missing a cue to move into the final chorus. The record makes me equally jealous and understood; Toledo makes a fine mouthpiece for a lot of sullen youth.